+ 1 (707) 877-4321
+ 33 977-198-888

Philhelm Philhelm Art Gallery - Philhelm Philhelm Artworks

Philhelm Philhelm Art Gallery - Philhelm Philhelm Artworks

"In actual fact, I want to tell you without misrepresentation, the whole story of Philhelm, which begins in Alsace in the castle of Lichtenberg, on April 23rd 1616, when 7-year-old Balthasar Helmlinger, loses the Monogram of his eponymy descendant. This ordinary but nevertheless very serious incident in the distant past will set in motion the artist"

Philhelm Philhelm
Philhelm Philhelm
Artworks added the
Added April 13 2015
Added August 3 2014
Added May 6 2012
Added February 7 2012
Added January 11 2012
Added November 26 2011
Added September 11 2011
Added April 28 2011
Added March 17 2011
Added February 6 2011
Added December 4 2010
Added October 16 2010
Added October 5 2010
Added September 25 2010
Added September 17 2010
Added September 11 2010
Added September 5 2010
Added July 27 2010
Artworks Media
Artworks Topics
Artworks Styles
Sizes
Prices
Artworks from 1 to 25 (on 36 total)


P169 -The origin of the tiger on earth from the Priests of Dongba, Naxi. 2013

P168 – The horse’s origin according to the Dongbas priests of Naxi – 2012.

P164-P165 - DIPTYCH BRACTEATES OF THE GODS AND THEIR BIRDIES.

P162 - Bracteates of 12 riders in a furious hunt for the woman ... 2012.

P160 - A wink at Victor Brauner

P158 & P159: Scythian horse to the rear end back, carved in bas-relief wood and a single print in plaster, reversed, enhanced and colored.

B155 - Antique Achaemenid hunting - 2011

M151- Minoan couple struggling with two lions - 2011

P152 - Between the death of a son and his father's despair, we have the memory of their runic tracery! - 2011.

M147 – Two Minoan lions chasing a wild goat …2011.

B146 - FREEDOM, WHEN THE SUMERIANS GODS WERE IN LOVE ...

P63 - FABULOUS ORCHESTRA IN ANTHROPOMORPHIC CYRTOIDEA - 2006

M91 – FEMININE CHARIOTEER WITH HORSE-BIRD AND MINOTAUR- 2008

M90 – HORSE MINOAN STUNG - 2008

M89 - SCENE OF FIGHT FROM HAGIA TRIADA - 2008

M88 - SHIP-TO SKELETON COLVILLE RAGING SEA - 2008

M87 - SHIP-TO SKELETON raging sea - 2008.

M139 – IN HOC SIGNO VINCES …or : By this sign you will conquer…2010

M86 - SINGULAR COMBAT AT KNOSSOS - 2008

M85 - HOMICID AT KNOSSOS - 2008

B123 – ROUND LEGUMENOMORPHE…2009

B114 – BABYLONIAN DIVORCE…2009

B143 - SEAL OF BEL-MUSHALLIM, WHICH REMOVES THIS SEAL, RISK OF LOSING THE SHAMASH‘S PROTECTION !

B111 – WHEN A BALINESE EMBARKS WITH BENU THE SACRED BIRD

B105 - WHEN RÂ, ISIS AND HORUS WERE IN A PHOENICIAN BOAT - 2009.



In actual fact, I want to tell you without misrepresentation, the whole story of Philhelm, which begins in Alsace in the castle of Lichtenberg, on April 23rd 1616, when 7-year-old Balthasar Helmlinger, loses the Monogram of his eponymy descendant. This ordinary but nevertheless very serious incident in the distant past will set in motion the artistic calling of one of his descendants, 10 generations later! Today’s painter, born in Strasbourg in 1943, has seen his work exhibited and winning twice in his life (1999 and 2001), and this, only at the "Florence International Contemporary Art Biennale" which awarded him in 1999 the Prize of the City of Florence.  So that the vulgum pecus be completely disorientated, so that it will let the story of the past enter him torpidly, each day enriched by our common ancestral past: whether it be Etruscan, Minoan or Babylonian, or else it will never penetrate within paintings, to strive to discover the secret causes of things. I will tell some day your latent births: Black: violence, war, death, tomb, histories. - Red: eroticism, sex, love, life, mythologies. - Yellow: music, curve, peace, symbol, stars. - Blue: language, imprint, fish, Gods. I decline the colours in correspondence with the images and the original writings to find a small story of the past in which my monogram would have always been present as an archetype. Since a few years, I have tried to reveal this revival because the Gods came one day to meet me! They deigned to present me their messengers as heroes accompanied by their sphinx. Let them forgive me if I dare to mention them in the joy of my heart, even if I have no false shame in asking them for forgiveness. If I try to revive by its legends a few bits of an immortal and sacred lost knowledge, I owe it only to the works of numerous existing or missing archaeologists and historians of whom I borrowed here and there a few scraps. I make no vanity of my work. Had I to believe that I would never produce anything good nor beautiful in my whole life, I would nonetheless feel a real and deep joy in tasting what I would recognize and admire as beautiful and great in others, had they been Etruscan, Cretan, Assyrian or Sumerian.

[Biography - Philhelm Philhelm - 3Ko]


In actual fact, I want to tell you without misrepresentation, the whole story of Philhelm, which begins in Alsace in the castle of Lichtenberg, on April 23rd 1616, when 7-year-old Balthasar Helmlinger, loses the Monogram of his eponymy descendant. This ordinary but nevertheless very serious incident in the distant past will set in motion the artistic calling of one of his descendants, 10 generations later! Today’s painter, born in Strasbourg in 1943, has seen his work exhibited and winning twice in his life (1999 and 2001), and this, only at the "Florence International Contemporary Art Biennale" which awarded him in 1999 the Prize of the City of Florence.  So that the vulgum pecus be completely disorientated, so that it will let the story of the past enter him torpidly, each day enriched by our common ancestral past: whether it be Etruscan, Minoan or Babylonian, or else it will never penetrate within paintings, to strive to discover the secret causes of things. I will tell some day your latent births: Black: violence, war, death, tomb, histories. - Red: eroticism, sex, love, life, mythologies. - Yellow: music, curve, peace, symbol, stars. - Blue: language, imprint, fish, Gods. I decline the colours in correspondence with the images and the original writings to find a small story of the past in which my monogram would have always been present as an archetype. Since a few years, I have tried to reveal this revival because the Gods came one day to meet me! They deigned to present me their messengers as heroes accompanied by their sphinx. Let them forgive me if I dare to mention them in the joy of my heart, even if I have no false shame in asking them for forgiveness. If I try to revive by its legends a few bits of an immortal and sacred lost knowledge, I owe it only to the works of numerous existing or missing archaeologists and historians of whom I borrowed here and there a few scraps. I make no vanity of my work. Had I to believe that I would never produce anything good nor beautiful in my whole life, I would nonetheless feel a real and deep joy in tasting what I would recognize and admire as beautiful and great in others, had they been Etruscan, Cretan, Assyrian or Sumerian.

[Biography - Philhelm Philhelm - 3Ko]


In actual fact, I want to tell you without misrepresentation, the whole story of Philhelm, which begins in Alsace (It was still a Germanic country and will become French only in 1678!) in the castle of Lichtenberg, on April 23rd 1616, when the seven-year-old Balthasar Helmlinger, loses the Monogram of his eponymy descendant. This ordinary but nevertheless very serious incident in the distant past will set in motion the artistic calling of one of his descendants, ten generations later!  This contemporary painter, born in Strasbourg in 1943, has only exhibited his work twice in his life (1999 and 2001) and only at the “International Biennial Event of Contemporary Art of Florence” which awarded him in 1999 the Prize of the City of  Florence. So that the ordinary people be completely disorientated, so that it will let the story of the past enter him torpidly, by going back the furthermost possible  or else it will never pierce the heart of his paintings, to seek there the secret causes of things.

I will tell some day your latent births

Black : violence, war, death, tomb, histories.
Red : eroticism, sex, love, life, mythologies.
Yellow : music, curve, peace, symbol, stars.
Blue : language, imprint, fish, Gods.

I decline the colours in correspondence with the images and the original writings to find a small story of the past in which my monogram would have always been present as an archetype. Since a few years, I have tried to reveal this revival because the Gods came one day to meet me! They deigned to present me their messengers as heroes accompanied by their sphinx. Let them forgive me if I dare to mention them in the joy of my heart, even if I have no false shame in asking them for forgiveness. If I try to revive by its legends a few bits of an immortal and sacred lost knowledge, I owe it only to the works of numerous existing or missing archaeologists and historians of whom I borrowed here and there a few scraps. I make no vanity of my work. Had I to believe that I would never produce anything good nor beautiful in my whole life, I would nonetheless feel a real and deep joy in tasting what I would recognise and admire as beautiful and great in others, had they been Etruscan, Cretan, Assyrian or Sumerian.

Philhelm
The belated Monogramist of Strasbourg.

[Biography - Philhelm Philhelm - 4Ko]


In actual fact, I want to tell you without misrepresentation, the whole story of Philhelm, which begins in Alsace (It was still a Germanic country and will become French only in 1678!) in the castle of Lichtenberg, on April 23rd 1616, when the seven-year-old Balthasar Helmlinger, loses the Monogram of his eponymy descendant. This ordinary but nevertheless very serious incident in the distant past will set in motion the artistic calling of one of his descendants, ten generations later!  This contemporary painter, born in Strasbourg in 1943, has only exhibited his work twice in his life (1999 and 2001) and only at the “International Biennial Event of Contemporary Art of Florence” which awarded him in 1999 the Prize of the City of  Florence. So that the ordinary people be completely disorientated, so that it will let the story of the past enter him torpidly, by going back the furthermost possible  or else it will never pierce the heart of his paintings, to seek there the secret causes of things.

[Biography - Philhelm Philhelm - 2Ko]








EMAIL- EMAIL- EMAIL- EMAIL- EMAIL- * A