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Alexander Sutulov Art Gallery - Alexander Sutulov Artworks

Alexander Sutulov Art Gallery - Alexander Sutulov Artworks

"Atelier Alexander Sutulov is a digital art studio specializing in a wide range of fine art productions. Its mission is to offer and exhibit to a general public a unique approach towards a new form of artistic expression. In the past decade, Digital Painting has been a revolutionary concept of bringing together all artistic media into one coherent"

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Atelier Alexander Sutulov is a digital art studio specializing in a wide range of fine art productions. Its mission is to offer and exhibit to a general public a unique approach towards a new form of artistic expression. In the past decade, Digital Painting has been a revolutionary concept of bringing together all artistic media into one coherent visual language.

Considering the background of visual artist Alexander Sutulov where his training encompasses a vast experience in all form of media such as drawing, painting, printmaking and sculpture, his digital art work constitutes a synthesis of his entire previous endeavour in addition to the new challenges established by digital media.

At close observation, Alexander’s work can be recognized in its richness of surface and most important, the achievement and mastery of a technique where its attempt in any other media would be virtually impossible. The true value of his work relies on this fact where combined with state of the arts printing technology, the end result are authentic works of art.

Long has been the discussion over the “originality” of second generation images (all form of printmaking involving two or more “transfer substrates” in order to achieve a final result, such is the case for photo transfer, positive and negative plate, screen printing, etc.) nevertheless without such a concept none of the master print works in the 20th century could have been realized. When we pay tribute to outstanding artist such as Jasper Johns and Robert Rauschenberg, it would be impossible to imagine them without a concept of second generation images.

In the same perspective, digital painting and digital art in general has been a transcendental breakthrough for art history and it is yet to be seen the embedded potentiality of this artistic phenomenon.

It has been the artist life pursuit to commit and offer his public access to “real art” meaning that his or her experience can be made tangible, not from a far away museum or an unaffordable gallery but rather a direct and intimate relationship. For this purpose he has conceived a way of making original fine art limited editions, accessible through the internet so new generations may have a reference amongst other talented digital artist, the possibility to become involved in a learning process in order to heighten visual thinking capabilities.

The view of intellects and theorist such as Rudolf Arnheim in his eloquent publication: “Visual Thinking” 1969, is a true testimony of our current world dynamics. Our most primal and basic form of cognitive reality is based upon our structure of visual thinking -without such learning process- our access to contemporary reality would be dramatically restricted.

In the same way, the artist was able to familiarize from an early age with the surroundings of Gonzalo Camarenas epic mural: “Presencia de América
Latina” at the University of Concepción Fine Arts Museum (Pinacoteca Casa del Arte) as an eye opening experience. He discovered the building blocks of our growing process and most important our capability of astonishment. It is this message he wishes to convey through his work and make it possible to be a lifetime dialogue with his public and future generations.

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Documents
 ALEXANDER SUTULOV’S PROJECTS   Description of Alexander Sutulov´s visual art projects.
Alexander Sutulov
Alexander Sutulov

Gallery translation :
Fine art by Alexander Sutulov Oeuvres de Alexander Sutulov Alexander Sutulov Alexander Sutulov Alexander Sutulov Alexander Sutulov Alexander Sutulov Alexander Sutulov Alexander Sutulov

All 29 Artworks from Alexander Sutulov

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Artworks added the
Added May 1 2008
Added October 1 2006
Added September 1 2006
Added October 22 2005
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Artworks from 1 to 25 (on 29 total)


Roble Coihue I / Huilquilemu Series

Study IV / Key Black Series

Study III / Key Black Series

Study II / Key Black Series

Study I / Key Black Series

Study XIX / Omme Vivum ex Ovo Series

Study V / Omme Vivum ex Ovo Series

Felicior Augustus, third stage / Roman Portrait Series

Felicior Augustus, second stage / Roman Portrait Series

Felicior Augustus, first stage / Roman Portrait Series

Marcus Aurelius, second stage / Equestrian Series

Fivia, seventh stage / Roman Portrait Series

Fivia, third stage / Roman Portrait Series

Fivia, second stage / Roman Portrait Series

Fivia, first stage / Roman Portrait Series

Dos Flores en Alcántara, second stage / Tauromaquia Series

Dos Flores en Alcántara, first stage / Tauromaquia Series

Study XXXIX / Maritime Series

Study XXVIII / Maritime Series

Study I / Maritime Series

Study XV / Kaya Mahca Series

Study XI / Kaya Mahca Series

Study VI / Kaya Mahca Series

Study I / Kaya Mahca Series

Aureliano I / Roman Portrait Series



                                             

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History of Chilean Mining Mural

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Art at the service of human achievement

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Recently inaugurated History of Chilean Mining digital mural at the University of Concepción is an assertive discourse for the mining sector.

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Long has been the notion to translate our thoughts into physical form so others may understand it. In spite of dramatic changes through out human history and condemnation of pictorial language as far as the Iconoclast period (c. 730 A.D.) to Marcel Duchamp’s epitaph of “dead painting” in the 20th century, mankind has prevailed in bringing forward its intrinsic condition of popular consensus. Such has been the result of recently inaugurated 3 story high digital mural at the University of Concepción, Metallurgical Engineering Department where in an unprecedented manner, visual artist Alexander Sutulov has synthesized the history of Chilean mining from pre-Colombian period to contemporary times. The reflection upon 4.000 years of mining history where the Bronze Age extended in pre-Hispanic culture until the arrival of the Spanish Conquistador in the new world, perpetuated a unique mining culture where copper predetermined the history of Chile and its breakthrough in the 19th century where the red metal as a thermal and electrical conductor constituted the soul of the Industrial Revolution.

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We are not surprised to discover why a small country like Chile became the first producer of copper in the world in 1876 with 42% of world production and with the largest copper reserves until today, which amount to an outstanding 38% of global copper deposits. These facts together with the particular mining infrastructure of Chile lingered to long term empirical knowledge has captivated a consensual view of how the mining industry and foremost, mining economy carries an enormous responsibility in terms of viable solutions to the future prospects of environmental issues.

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Today we have created a niche for the mining world in the cultural arena through the discourse of digital art and most important, the idea of art at the service of human achievement. Long has been the alienation of epic history and heroic acts in a confrontational era such as modernism, nevertheless the lack of identity through the exacerbation of the mundane is paying a high cost when complete realities have submerged under the power of immediacy.

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Not in vane has been the discourse of Alexander in the past 10 years where an underground world has astonishingly remerged through the meaning of symbol and colour. The global community is invited to be participative and become each day more familiarized to hidden worlds which ultimately constitutes our safeguards to an uncertain future of ecological equilibrium. If we turn our backs to the fundamentals of human existence of how it has transformed the richness of nature in order to create a second nature, more difficult will be our task to understand the consequences and model our future existence.

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In this regard, Alexander’s mining mural opens a new window where our involvement as viewers of a complex reality becomes apprehensible and revealed not from a heroic or epic standing point, but from a human experience of  censoring the governance of an underground world which affect our daily life’s in every way possible. A tribute which cannot be taken for granted, on the contrary this are signs of awareness where human will and conviction must recapitulate in order to render the assertiveness of a sustainable life quality and our empathy with our surrounding which redefines our essential humanity.   

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[Announcement - Alexander Sutulov - 11Ko - 2005]


 ALEXANDER SUTULOV’S PROJECTS
Description of Alexander Sutulov´s visual art projects.
[Page - Alexander Sutulov - 22Ko - 2005]


 Atelier Alexander Sutulov
Digital Art Studio
[Page - Alexander Sutulov - 5Ko - 2005]


                                                                       

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Artist Biography:

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Alexander Sutulov was born in Concepción, Chile, in 1962.                                                                                                                                                                                                         

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He attended the Institute of Contemporary Art in Santiago from 1980 to 1984 and continued his study of art at the University of Utah from 1985 to 1987 with emphasis in painting, drawing, printmaking and sculpture.

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From 1988 to 1990 he worked and collaborated at artist co-op Artspace and Stonehenge where he researched hand built techniques with stoneware, porcelain, wood and metal. He worked as an independent artist at the University of New Mexico Printmaking Department from 1990 to 1992. His work at the time with various printing techniques was focused in the use of second generation images. He continued his graphic work with Atelier Sutulov-Gienger from 1992 to 1994 where in conjunction with Black & Blue Press, Golden, New Mexico, he specialized in the use of positive and negative plates for hand printed lithographic limited editions.

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From 1994 to 1996 he divided his work between Chile and the United States applying his printmaking experience in digital generated images for mural painting and lithographic limited editions.

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Since his return to Chile in 1994, the artist has been part of a variety of corporate and institutional art projects such as: History of Concepción Mural Project commissioned by the Bío-Bío North Ream Urban Development Project, Gasco Energy Sculpture Project commissioned by Gasco gas company in Santiago and the recently inaugurated History of Chilean Mining Mural, 3 story digital mural commissioned by Chilean Bureau of Mines and the University of Concepción.

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Since 1990 he showed several graphics work in selected Group and Solo Exhibitions in Argentina, Australia, Canada, Chile, Dominican Republic, England, Italy, India, Japan, Korea, Mexico, Slovenia, Taiwan and United States.

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The artist studio is currently devoted to a wide range of digital art projects specializing in digital painting, fine art limited editions, editorial projects, digital murals, multimedia, corporate and institutional commissioned art projects for public and private spaces.

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[Biography - Alexander Sutulov - 13Ko]


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Atelier Alexander Sutulov is a digital art studio specializing in a wide range of fine art productions. Its mission is to offer and exhibit to a general public a unique approach towards a new form of artistic expression. In the past decade, Digital Painting has been a revolutionary concept of bringing together all artistic media into one coherent visual language.

Considering the background of visual artist Alexander Sutulov where his training encompasses a vast experience in all form of media such as drawing, painting, printmaking and sculpture, his digital art work constitutes a synthesis of his entire previous endeavour in addition to the new challenges established by digital media.

At close observation, Alexander’s work can be recognized in its richness of surface and most important, the achievement and mastery of a technique where its attempt in any other media would be virtually impossible. The true value of his work relies on this fact where combined with state of the arts printing technology, the end result are authentic works of art.

Long has been the discussion over the “originality” of second generation images (all form of printmaking involving two or more “transfer substrates” in order to achieve a final result, such is the case for photo transfer, positive and negative plate, screen printing, etc.) nevertheless without such a concept none of the master print works in the 20th century could have been realized. When we pay tribute to outstanding artist such as Jasper Johns and Robert Rauschenberg, it would be impossible to imagine them without a concept of second generation images.

In the same perspective, digital painting and digital art in general has been a transcendental breakthrough for art history and it is yet to be seen the embedded potentiality of this artistic phenomenon.

It has been the artist life pursuit to commit and offer his public access to “real art” meaning that his or her experience can be made tangible, not from a far away museum or an unaffordable gallery but rather a direct and intimate relationship. For this purpose he has conceived a way of making original fine art limited editions, accessible through the internet so new generations may have a reference amongst other talented digital artist, the possibility to become involved in a learning process in order to heighten visual thinking capabilities.

The view of intellects and theorist such as Rudolf Arnheim in his eloquent publication: “Visual Thinking” 1969, is a true testimony of our current world dynamics. Our most primal and basic form of cognitive reality is based upon our structure of visual thinking -without such learning process- our access to contemporary reality would be dramatically restricted.

In the same way, the artist was able to familiarize from an early age with the surroundings of Gonzalo Camarenas epic mural: “Presencia de América
Latina” at the University of Concepción Fine Arts Museum (Pinacoteca Casa del Arte) as an eye opening experience. He discovered the building blocks of our growing process and most important our capability of astonishment. It is this message he wishes to convey through his work and make it possible to be a lifetime dialogue with his public and future generations.

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[Biography - Alexander Sutulov - 6Ko]


  - INAUGURADO EN LA UNIVERSIDAD DE CONCEPCION: Magnífico mural de la historia minera -La obra, creada por el artista Alexander Sutulov, se emplaza en el edificio de Ingeniería Metalúrgica de esa casa universitaria . Los 4.00 años de nuestra historia min...
[Biography - Alexander Sutulov - 14Ko - 2005]


  - Revista Minería Chilena Publication
INAUGURADO EN LA UNIVERSIDAD DE CONCEPCION: Magnífico mural de la historia minera -La obra, creada por el artista Alexander Sutulov, se emplaza en el edificio de Ingeniería Metalúrgica de esa casa universitaria . Los 4.00 años de nuestra historia min...
[Page - Alexander Sutulov - 14Ko - 2005]



Alexander Sutulov's Guestbook

ArtsCad Art Critic
Drawing upon his experiences with drawing, sculpture, printmaking, and painting, Sutolov creates digital fine art, taking his talents and adapting them to the digital age. The potential for this form of art has yet to be tapped, especially when it comes to the ability of digital art to combine two different works into an entirely new work, such as .../...
(ArtsCad Art Critic, 28 February 2006)






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