Mackiewicz Piotr's Biography
Author of sculpture figurative leaning oneself on lively study models. Vertical introduced sculpture to four dimensions- time and space. It changes proportions of models, it shortens or it lengthens face and forms above measure heightening through this theirs expression. Strongly diverse invoice, forms organize whole surrounding space eats , in which they are stationary and anonymous . Problem of relation fascinates creator form, forms to surrounding space. World in which spends and it crystallizes him art appears him organic connected as drama of space with man. Sculptures of Author penetrate into this space , organizing and co- creating own space- autonomic. Work this by value spatial - structural exposed emotional elements contain strongly keeping one's magic and metaphysical meaning. Sculptures are full it aims contents, Artist secretive to appearance , irrational paintings of soul of man , his lonelinesses, separations and individualities.
In building of body it pierces firmness, exact qualification of function of every anatomical element, consciousness of expressed aim. Clearness of line does not stifle superfluous ornamentation of details . It is here seriousness , reliability , consideration. In this conception place found itself onto spiritual content works , faces this mirror of internal impressions. This is construction and painting of introduced face- real and not ; not idealized MASK . To visible ideas of real beauty and not ; not classic, idealized. Work is not only in composition overcome of clods and planes, but in leaning's composition on real and objective dimensions of man. In plastic evolution author aims to organic building, to rhythm, symmetry and harmony. Mum to deal with original remittance for future- feeling of aestheticses and beauty of human body. modelling causes game of lights and shadows, engender painter effects as well as endeavour to performance of human figure in her on surface of sculpture organic building. Figures be characterize by soft modelling, large slenderness of form, sure refinement of gesture. Static of form is distinguished modelling of carrying part (legs, neck) and weighing(trunk, head) in building of human body. Playing effects overweigh oneself on surface fold of garments , dress. Forms this present KOUROS and KORE, individualize guilds of human face. Artist composes human forms so, to looking spectator on he could not feel inherent potential of movement in them, internal, leaning modelling on acquaintance of anatomy of human bodies and observation of man in movement, , games meats in moment of largest tension. Epidermis no state of final border of effort composition, every smallest internal tension muscular will find one's equivalent on surface of body. This emphasis is into discreet way, no throw oneself in eyes, sometimes perceptible only at touch of statue hand.
Artist, in present of unusual achievements day of techniques and fascination perfection of machine, he started be to interest human body, into side most undetermined and faint his feelings. Through imprint of human body it tries to strenghten faint moment lives, his paradoxes and absurdity. Feeling which was registered it is fold and it materialise from identification directly. Among all symptoms of impermanence of human body it is sensitive and only source every joy , pain and truth. Author from some years it executes forms of school-leaving's size from plaster and bronze. It is this sculptor equivalent Neosurrealise of painting. Casting sculpture from lively model Author does not lie down pressure concrete reality onto physical side of form, her, but it tries to free idea, idea , inherent conception in model.
For artist they are this primitive instincts of man- thirst and imagination - notion of creative freedom frees theirs part and function in life of artist. Thirst permits creator beyond settle onto exceed , normalise of endeavours and actions , and so it is this what of him will express above mediocrity of general existence. It permits to measure man also range of own possibility and omnipotence of endeavours and personal thirsts permits get to know them unlimited of states materialise (hypnotic) . Imagination of man is only and unique, it can nobody and anything change this, and how this will become used it depends only from creative skill of artist. Observation of permits to enlarge imaginations and one should to use full handfuls from this , without noes' material limitations whether ideological.
Work this they make up quintessence of ideals: moderation, proportion and equilibrium in form, humanism in breath of life and to feel .It is this interesting interpretation of study from of nature . Sculptures have dangerous look and attentive, word of mouths between smile and wrath, wrinkled in tension of forehead; dynamism feels itself in forms, through contrast of one supported of body half on most surely standing leg on the ground , when second half puts out to front, in movement, sketched in arrangement of heads and hands .Statues betray takings of different masterpieces into gentle modelling, defining beauty model , in game of light on smooth surface of material. Yet endeavour to devotion of detail in loosely connected forms, charm of pose, in free movement of shoulders, it runes away to feel from word of strength and carnal solidity.