"MALAGUETA"
Fernando Rodriguez Rojas
Oil On Canvas - 79 Inches x 63 Inches
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Pictorial integrationism is the creation of the Plastic Artist Fernando Rodríguez Rojas where he pictorially merges with a personalized style diverse cultures (Synchronous Art) intertwining images harmoniously and geometrically in each of his works. But it is the combination of several styles, which provides it a very particular characteristic way and with which it is allowed to take through a selective recycling the best of other artistic tendencies (cubism, abstractism, constructivism, figurativism, realism, surrealism and even a species of pictorial collage, etc.) to conceive something of its own.
The artist uses a mechanism of concatenation intertwining each of the representative figures in the composition, giving a sense of collage to the first look and creating masterfully several readings in its interior, obtaining with this method an authentic work of contemporary art that can be called original or archetypical.
The work is synchrotic because it appreciates the integration of two or more cultures, by merging instruments of European origin (acordeon, piano, saxophone, etc.), with instruments of African origin (tambores, marimba, congas, etc.) and indigenous instruments of our indigenous (the guacharaca de millo for example). Every work of the artist represents a different historical narrative about each of the references that inspire him and symbolically immersed in the composition of his work through his palette. Renunciation to the originality of the cultural reality that surrounds it and takes only the essential in the form of hypertext and is intuitively linking each of its characters and its characterization as the thoughts are weaved in the head of each one, to shape his work.
Your interconnected pictorial work in a complex form, cannot be perceptible to the first look, because the perspective of the elements included, is different for each of them creating visual variations by the simultaneity and the changing color of these and the bulbs from where they originate, which are characteristic of the collage.
Unlike other artistic works, in which the reading is given in sequential form from beginning to end, in this work the reading can be done in non-linear form and the observers do not have the obligation to follow an established sequence, but they can move freely leaping from one figure to the next in almost instant form and intuitively define the content of it by association, following the interest of search for a terminus or concept. The work is contemporary and synchronous for itself, since in it these terms are visualized that go hand in hand by the way the pictorial composition of its contents is executed.
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