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The Artworks of Yves Frémin

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Yves Frémin - GoldmakerGoldmakerYves Frémin

Neutral tones, therefore very soft; and above all a search for brightness. A set of textures to enrich the nearby views.

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Yves Frémin - Let-s go see the cliffs.Let's go see the cliffs.Yves Frémin

Work close to abstract, as I like to do often. The notions of perspective are annihilated in favour of a narrative 'speech'. Simple and contrasting colors.

3/14
Yves Frémin - On a grey backgroundOn a grey backgroundYves Frémin

I put my character in front of a grey background to express her sadness. The cold blue tones, with just this pink spot, accentuate this feeling. The face, like 'eat', expresses its loneliness and disarray.

4/14
Yves Frémin - A blue hatA blue hatYves Frémin

The picture is square, mas the picture is round. It measures 40 cm in diameter. His title 'a blue hat' refers to the blue of the sky, especially the Breton sky. The painting depicts the rocky cliffs found near my home in Côtes D'Armor. It's a painting that reads from afar, for it's almost all shrive...

5/14
Yves Frémin - BreakBreakYves Frémin

I label this work of 'increased realism'. What do I mean? The lady represented is in pause mode. She stopped shaking. She becomes soft like a marshmallow. She no longer makes great gestures, especially with her arms; to the point that she has no more arms. This is therefore increased realism. Why no...

6/14
Yves Frémin - Blue labelBlue labelYves Frémin

Why call it 'Blue Label'? By derision and play of words with 'the beautiful blue' for the yellow ball. A very cheerful painting to warm hearts.

7/14
Yves Frémin - Ex nihiloEx nihiloYves Frémin

I called it 'Ex nihilo' by contradiction. Indeed, I did not leave a white canvas but a coloured canvas that I did not like. But I left traces of the old canvas to create overlay effects, not by transparency, but by knife scraping.

8/14
Yves Frémin - Blue pebblesBlue pebblesYves Frémin

The characteristic of this painting (in addition to its 80 x 80 cm format), is its narrative style. You will notice that the table has several horizons at different heights. It's not just one view, it's several. Indeed, to fully enjoy this site (located close to my home in Plouézec, Côtes d'Armor), ...

9/14
Yves Frémin - End to endEnd to endYves Frémin

I like this very vertical format to represent a marine landscape. To punctuate my white chalk cliffs, I painted my triangular pieces of earth with a red, blue, green, highlighted yellow. You can see a wink at Mondrian.

10/14
Yves Frémin - The white nudeThe white nudeYves Frémin

Composition is always important to me. We can find it incongruous, inconvenient, that my character has his feet cut. I explained: I wanted his right leg to arrive in the corner of the canvas, and I wanted a triangle between the two legs. The geometry of the canvas is more important to me than conven...

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